Screen Shot 2017-03-29 at 2.42.53 PM




 Featuring Talib Kweli, Omar Souleyman, Mykki Blanco, BEARCAT, Pie Face Girls, MIT Open Doc Lab, NEW INC, Found Sound Nation, and Goldsmiths

The independent, annual, four-day festival will take place in
Durham, North Carolina from May 18-21, 2017.
This year marks its 11th iteration honoring the spirit of inventor Bob Moog.

$249 for 3-Day General Admission and $499 for 3-Day VIP
All prices exclusive of applicable fees.
March 21, 2017 – Moogfest will dedicate its main stage on opening night to exploring how creative technology tools and protest music can be used as instruments for change. This Protest stage will be led by local and international artists Talib Kweli, Omar Souleyman, Mykki Blanco, BEARCAT and Pie Face Girls, MIT Open Doc Lab, NEW INC, and app developers at Goldsmiths University. The diverse Protest stage program will include performances, talks, and participatory technology experiments. Moogfest invites all presenters and attendees to explore sonic resistance and emerging technology tools for counteraction while celebrating radical inclusivity and intersectionality. New technologies for educating, organizing, and art-making echo Moogfest’s rallying cry: Synthesize Love.


Protest comes in many forms, and no single genre can contain the musicians participating in Thursday’s program. Talib Kweli is a renowned recording artist, entrepreneur, and social activist who uses hip hop to educate, inspire and agitate. He is well known for his work combating racial stereotypes, the prison-industrial complex, and police brutality. Syrian artist-activist Omar Souleyman represents culturally diverse musical traditions that include Kurdish, Ashuris, Arabic, Turkish and Iraqi communities. Fearless noise rap poet and performance artist Mykki Blanco was raised in Raleigh, N.C., but has traveled the globe from art-world stomping grounds in New York to his current home in Los Angeles, spitting subversive rhymes on race and LGBT issues. British DJ/Producer BEARCAT makes politically-charged bass-heavy mixes and represents Discwoman, an esteemed collective showcasing cis women, trans women and genderqueer talent in electronic music. Raleigh-based band Pie Face Girls uses defiant punk music to promote a DIY ethos and attack issues like North Carolina’s HB2. Music is one of the oldest forms of protest, but each of these artists makes their causes urgent anew with the music and community they build.

Intermixed with the musical performances, technologists participating in the Moogfest Protest stage program will present recent and developing projects that empower and facilitate social action. Gan Golan and Ron Morrison of NEW INC present their countersurveillance armor for citizens, The Argus Project, a head-to-toe mobile suit embedded with cameras that allows the wearer and its audience of remote viewers to monitor and record environmental behaviour. Taeyoon Choi, also of NEW INC, presents a protest sign-making workshop, exploring signs as a poetic medium for social engagement in an inclusive space that promotes learning from people with differing views and priorities. Halsey Burgund of MIT Open Doc Lab and Joe Zobkiw present the Land Marking app, which captures the sounds of social movements around the world. During the festival, attendees are invited to contribute their voices or listen to the location-based mix of music and voices contributed by previous participants. Vivan Thi Tang, a postgraduate in the Graduate Entrepreneur program at Goldsmiths University in London, created a customized beta of her irlbb app for Moogfest 2017, that presents a unique opportunity for participants to connect with potential collaborators.

Found Sound Nation and Moogfest co-present Democracy’s Exquisite Corpse: a sonic collage of reflections on democracy and resistance created in real-time across the festival weekend and in collaboration with Moogfest artists, activists, innovators, festival attendees and the public–a 21st century take on the Surrealist parlor game.

These presentations and workshops are rooted in the principle that technology can foster innovative perspectives on protest and creativity as a whole. Moogfest attendees are invited to collaborate with these technologists in launching their projects at the festival.


The Argus Project from Gan Golan and Ron Morrison
The Argus Project is a wearable sculpture, video installation and counter-surveillance training which directly intersects the public debate over police accountability. According to ancient Greek myth, Argus Panoptes was a giant with 100 eyes who served as an eternal watchman, both for – and against – the gods.  By embedding an array of camera “eyes” into a full body suit of tactical armor, the Argus exo-suit creates a “force field of accountability” around the bodies of those targeted. While some see filming the police as a confrontational or subversive act, it is in fact, a deeply democratic one.  The act of bearing witness to the actions of the state – and showing them to the world – strengthens our society and institutions. The Argus Project is not so much about an individual hero, but the Citizen Body as a whole.

BEARCAT is a London-born, Brooklyn-based artist. Internationally known for her various skillsets as a DJ/producer, audio engineer and pro MUA, BEARCAT began touring with various artists in 2005 providing backing vocals and creative direction for live festivals such as Afropunk, Glastonbury, Reading and Lovebox. Never afraid to delve deep, she uses her emotive musical selections as a form of therapy. Drawing from deeply personal experiences and diasporic roots, her ear guides her in creating uncompromising, powerful, bass-heavy mixes that harness a symbiotic energy between music and crowd.

Democracy’s Exquisite Corpse from Found Sound Nation and Moogfest
An immersive installation housed within a completely customized geodesic dome, Democracy’s Exquisite Corpse is a multi-person instrument and music-based round-table discussion. Artists, activists, innovators, festival attendees and community engage in a deeply interactive exploration of sound as a living ecosystem and primal form of communication. Within the dome, there are 9 unique stations, each with their own distinct set of analog or digital sound-making devices. Each person’s set of devices is chained to the person sitting next to them, so that everybody’s musical actions and choices affect the person next to them, and thus affect everyone else at the table. This instrument is a unique experiment in how technology and the instinctive language of sound can play a role in the shaping of a truly collective unconscious.

irlbb  from Vivan Thi Tang
irlbb connects individuals after IRL interactions and creates community that otherwise would have been missed. With a customized beta of the app for Moogfest 2017, irlbb presents a unique engagement opportunity for the Protest Stage which will be revealed at the festival for those who download and use the app.

Land Marking from MIT Open Doc Lab
Land Marking is a mobile-based music/activist project that augments the physical landscape of protest events with a layer of location-based audio contributed by event participants in real-time. Land Marking will be teaming up with the Protest Stage to allow Moogfest attendees to contribute their thoughts on protests and tune into an evolving mix of commentary and field recordings from others throughout downtown Durham.

Finding fame first as a fearless noise rap poet, he published a book From The Silence Of Duchamp To The Noise Of Boys. Then what started as a video art project about a “teenage drag rapper” transformed into two years of Blanco living as a transgender woman in his personal life. Though eventually not transitioning, Mykki Blanco graduated in real life experience as well as artistically into the non-binary gender-queer post-homo-hop musical artist that we see before us today. Needless to say, it’s impossible to pigeon-hole Blanco, and his unique and beautiful sound is no exception.

Amassing a vast online following with a savvy and savage social media output, Mykki is acclaimed as a digital warrior princess who rules across the underground music scene with mixtapes like Gay Dog Food, cult hits like “Kingpinning” and sensational videos like “Coke White,” “Starlight,”The Initiation,Wavvy,” andHaze Boogie Life.” Blanco’s output to date has been hailed as razor sharp, ahead of its time and sometimes deliciously far out. His debut album, released just last year, pushed beyond the mayhem in favor of melody and musicianship and further into the depths of feminine empowerment, the discovery of one’s “second soul” and giving a voice to the marginalized. “I used to have a problem with the media trying to define me, either as a drag queen, or a transvestite, as a homosexual rapper, a transsexual or an HIV positive pop star, but most people need labels and my true fans know who I am and what I’m about.”

Mykki Blanco’s referential framework is both archival and futuristic: a myriad of culture references, spiritual anecdotes, make-up brands, hippie jargon, Fendi here and Snapchat there–all perfectly reflecting the creative dialogue digital landscape we live in.

Syrian artist-activist Omar Souleyman, also known as Ras Al Alyn, has risen to prominence as an electronic music star in the last few years. From his humble beginnings as a farmer and, later, wedding singer, Souleyman has become a cult hero among club connoisseurs through collaborations with artists like Four Tet, Modeselektor and Gilles Peterson. As war rages in his homeland, Souleyman’s music preaches love and building bridges across time and space.

Reared in the basements and houses of the Raleigh punk scene, Pie Face Girls are a self-taught, self-actualized trio who make a habit of disrupting the conventional norms of the surrounding music scene. Influenced by the grinding distortion of L7 and The Melvins along with the DIY showmanship and sensibility of Bikini Kill and The Germs, Pie Face Girls aim to leave an impression. Says singer and guitarist Dani Hoffpauir, “As long as I can be an activist, I’m happy. As long as I can fight for the shit that matters in this world…because there’s a lot of shit to fight in this world.”

Taeyoon Choi from NEW INC
Taeyoon Choi is an artist and educator based in New York and Seoul. His art practice involves performance, electronics, drawings and storytelling that often leads to interventions in public spaces. He has published books about urbanism and is currently working on a book of drawings about computation. Choi cofounded the School for Poetic Computation in 2013, where he continues to organize and teach. Recently, he’s been focusing on unlearning the wall of disability and normalcy, and enhancing accessibility and diversity within art and technology.

Hip-hop veteran Talib Kweli stands as one of the most politically insightful rappers to emerge in the last 20 years. From his start as one half of rap duo Black Star, to collaborations with artists like Kanye West, Lupe Fiasco, and The Roots, to his solo career, Kweli has consistently positioned social issues at the core of his music.

A growing list of 2017 participants includes:

Talib Kweli, Flying Lotus, Michael Stipe, Animal Collective, Suzanne Ciani, Mykki Blanco, Derrick May, Omar Souleyman, 808 State, Jessy Lanza, Simian Mobile Disco, Moor Mother, Syrinx, Dr. Kate Shaw, Joe Davis, Princess Nokia, Function, ATLAS @ CERN, Adam Rogers (NCSU Libraries), Alexander Lerch (Georgia Tech), Alissa Derubeis (S1), Andy Cavatorta (MIT Media Lab), Avalon Emerson, Berklee College of Music, Charlie Gersbach (Duke), Chris Ianuzzi, Church of Space (CoS), Colleen, Container, DJ Lance Rock, Dave Harrington, Dave Rossum, Deantoni Parks, Dr. Timothy Hsu (Georgia Tech), Driftless Recordings, Duke University, Elon Katz, Elysia Crampton, Felisha Ledesma (S1), Flatsitter, Gaika, Georgia Tech, Gerhard Behles, Gil Weinberg (Georgia Tech), Goldsmiths, Gotye, Greg Belson, Halsey Burgund (MIT Open Doc Lab), JDH & DAVE P, Jason Evans Groth (NCSU Libraries), Jason Freeman (Georgia Tech), Joe Zobkiw, Jon Gibson, Jubilee, Julia Kaganskiy (NEW INC), K-Hand, KING,, Kate Shaw (ATLAS @ CERN), Katherine Hayles (Duke), Kill Alters, Kyle Dixon & Michael Stein of S U R V I V E, Lafawndah, Laraaji, Lars Larsen, Lauren Di Monte (NCSU Libraries), Laurie Spiegel, Lena Willikens, London O’Connor, MIT Media Lab, MIT Open Doc Lab, MNDSGN, Magenta by Google Brain, Marc Fleury (CoS), Marisa Anderson, Mark Katz (UNC), Mark Kruse (Duke and ATLAS @ CERN), Mary Lattimore, Matthew Davidson (Berklee College of Music), McQueen Adams, Metropolarity, Michael Bierylo (Berklee College of Music), Michael Clamann (Duke), Michael Winslow, Mick Grierson (Goldsmiths), Miguel Nicolelis (Duke), Mumdance, NCSU Libraries, NEW INC, Nanny Cantaloupe, Nick Zinner, Nona Hendryx, Not Waving, Noveller, Octo Octa, Peanut Butter Wolf, Pharmakon, Pie Face Girls, Princess Nokia, Public Science (Francis Tseng & Fei Liu of NEW INC), Pye Corner Audio, Rebecca Fiebrink (Goldsmiths), Dr. Richard Boulanger (Berklee College of Music), Russell E L Butler, Ry X, Ryan Shaw (Duke), Scott Metcalfe (Peabody Institute/Johns Hopkins), Silent Servant, Stephanie Dinkins (NEW INC), Steve Goldfarb (ATLAS @ CERN), Sudan Archives, S U R V I V E, Suzi Analogue, Synth Library, Taeyoon Choi (NEW INC),Tasha The Amazon, The Afrofuturist Affair, The Haxan Cloak, Tom Richards (Goldsmiths), UNC, VHVL, Virginia Tech ICAT, Visible Cloaks, Vivan Thi Tang (Goldsmiths), Walt Gurley (NCSU Libraries), Wolf Eyes, and Zoltan Istvan

About Moogfest
Moogfest is the synthesis of music, art, and technology. Since 2004, Moogfest has brought together artists, futurist thinkers, inventors, entrepreneurs, designers, engineers, scientists, and musicians. By day, Moogfest is a platform for conversation and experimentation. By night, Moogfest presents cutting-edge music in venues throughout the city. This mind-expanding conference attracts creative and technology enthusiasts for three days of participatory programming in Durham, North Carolina. Performing artists include early pioneers in electronic music, alongside pop and avant-garde experimentalists of today.

Ticket information

Engineer Festival Pass (limited quantity) – $1500
This two-day synth-building workshop, led by Moog engineers, invites a select group of enthusiasts to build their very own unreleased Moog analog synthesizer and sequencer. The hands-on workshop is conducted in two three-hour sessions within the Pop-up Moog production facility. No experience is necessary, but basic soldering knowledge is recommended. Participants in the Engineering workshop also have VIP access for the duration of the event. Priority access to all festival venues for performances and conference programming: conversations, workshops, and installations. Access to exclusive VIP viewing areas and events and gift bag. Complimentary food and drink in select locations. Workshops are available via RSVP. Engineer Festival Pass holders will receive first priority on a limited basis. Pre-Sale Engineer Festival Passes available for a limited time, while supplies last

VIP Festival Pass – $499
VIP access for the duration of the event.  Priority access to all festival venues for performances and conference programming: conversations, workshops, and installations. Access to exclusive VIP viewing areas and events and gift bag. Complimentary food and drink in select locations. Workshops are available via RSVP. VIP Festival Pass holders will receive first priority on a limited basis

Festival Pass – $249
General Admission for the duration of the event. Access to all festival venues for performances and conference programming: conversations, workshops, and installations. Workshops are available via RSVP. VIP Festival Pass holders will receive first priority on a limited basi

Copyright © 2017 Magnum PR INC, All rights reserved. Screen Shot 2017-03-29 at 2.25.20 PM

Want to change how you receive these emails?
You can update your preferences or unsubscribe from this list

Leave a Reply

Your email address will not be published. Required fields are marked *